Annibale Carracci’s depiction of the Holy Family’s escape to Egypt is a renowned example of Baroque painting. This work portrays Mary, Joseph, and the infant Jesus journeying by donkey, often accompanied by an angel. Variations exist, sometimes including additional figures or altering the landscape. The scene draws from the Gospel of Matthew’s account of the family fleeing King Herod’s persecution.
Carracci’s interpretation is celebrated for its composition, use of light and shadow (chiaroscuro), and emotional depth. The painting embodies the dramatic and emotive qualities of the Baroque period, showcasing the artist’s skill in capturing both human tenderness and the divine significance of the event. Situated within the broader context of religious art during the Counter-Reformation, the work served not only as an aesthetic object but also as a tool for spiritual instruction and contemplation. Its enduring popularity reflects its artistic merit and its continued resonance with viewers.
